Authors:

Manjeet Singh , Rina Singh

Abstract:

Art has been a profound medium of human expression since ancient times, with painting occupying a particularly significant role in visually narrating stories, emotions, and cultural values. Among the techniques employed in painting, perspective has been instrumental in creating depth and realism, enabling artists to mirror the natural world's complexities. While the formal development of perspective is commonly attributed to Renaissance Europe in the 15th century CE, evidence suggests its practice in India dates back much earlier, specifically to the 5th–6th century CE, as seen in the Ajanta cave paintings. These masterpieces reflect the advanced skills of Indian artists, who demonstrated expertise in spatial representation and depth long before their European counterparts. The Ajanta artists celebrated for their realism, employed techniques resembling linear perspective and foreshortening to produce lifelike imagery and three-dimensional effects. However, the prominence of perspective in Indian art gradually diminished due to the philosophical and spiritual focus of Indian aesthetics. Traditional Indian art prioritised inner emotions, metaphysical concepts, and symbolic representations over geometric precision. As a result, Indian artists often avoided strict adherence to linear perspective, favouring depictions rooted in divine symbolism and abstract ideas. Perspective techniques re-emerged in Indian art only during the colonial period, marking a transformative phase as artists began integrating Western methods with indigenous styles. This fusion allowed Indian painters to experiment with depth and realism while preserving cultural identities and thematic significance. This paper examines the historical trajectory of perspective in Indian painting, challenging the Eurocentric view of its origins. It highlights India's early contributions to visual realism, primarily through Ajanta's legacy, and explores how modern Indian art balanced tradition and innovation by reinterpreting perspective techniques to align with contemporary trends.

Keywords:

Indian Painting, European Effect, Use of perspective, Linear perspective, Mughal painting, Perspective in Ajanta

Vol & Issue:

VOL.16, ISSUE No.4, December 2024